This book is gifted a lot this time of year, and I honestly love it. The words are so whimsical and inspiring, yet tap a particular strain of truth. I know its blind popularity is about as annoying as the fact this was done at Burning Man, however, I think of this video frequently during the graduation time of year. And this year, it really made me think of you. I look forward to living the words of this book alongside you for quite some time to come.
I'm excited to be by your side, holding you're hand, and watching with you as the sky of whatever city we're in is lit ablaze by the annual practice of pernicious patriotism.
They say eyes are the window to the soul. While I don't necessarily disagree, I find this discernment somewhat underwhelming. I have not always thought this, however. For a considerable time, I understood eyes through their functionalism - they are the very organ used by one to visualize, and thus interpret, their world. Rather than a window to the soul for me , they were a window to the world for you . As time went on, things changed. I looked into the eyes of those close to me. Deeper Deeper Deeper I fell in love, I continued looking. Deeper Deeper Deeper Then, You. One day I looked into a set of eyes and was met with something I could never have imagined. It wasn't anything I could see. It wasn't the hues of greenish...
Camille Monet and a Child in the Artist's Garden in Argenteuil - Claude Monet, 1875 I first time saw this painting was on January 4th, '18 at the Museum of Fine Arts, Boston. I was picking Leta up from her flight in from Dallas that night and decided - on a bit of a whim - to head to MFA in the morning before picking her up. I wandered through the museum in a fairly desultory way, seeing the sights - trying to not get caught picking my nose, before finding myself in the contemporary wing. I've always preferred modern art for some reason. I think, in some ways, I am intrigued by the sense of purpose I find in later art. That's not to say earlier works didn't have meaning, just that I'm not as attracted to the constraints of commissioned pieces for affluent recipients. In later art, there seems to be a more keen eye toward the basis of the work as art , rather than a material object. An example of this being the impressionist movement in the 1870's ...
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